The Calf

On violence, crime, guilt and atonement. We meet our narrator in an underground office where he sharpens pencils, shreds paper, makes coffee for the other employees and thinks over and over about a late night that he has been trying to forget for a long time. In between the meaningless work, he manages to scratch down some names and phrases, and conjures up a dream from 1980s Hadeland. In this saga, Hadeland is a shadow home where spooks, ghosts, angels and robot-like creatures are just as natural as animals and flesh and blood humans. But what happened that late summer night? What is it that the narrator has tried to forget? And who is this Calf, who was “killed to death”? Our narrator takes readers in circles through different events, times and places; a whirlwind in which the calf and other characters are like prisoners in a tornado from Dante’s Inferno. The Calf is a peasant story, a western novel, a dream quatrain, an adventure, science fiction and a black comedy about violence, crime, guilt and atonement.

Part Appalachian gothic, part science fiction, part Norwegian western, The Calf is a darkly comic backwoods phantasmagoria that bends genres until they break in a feat of linguistic experimentation.

In a subterranean office labyrinth somewhere in Hadeland, Norway, a mechanical barn gnome with a metal bucket for a head spends his days shredding paper, brewing coffee, and trying to forget a certain late summer night in the woods sometime in the 1980s. That night—hazy, mythic, traumatic—centers on the Mare Cooter Canyon and a ragtag bunch of teenage boys calling themselves “the cowboys.” As the narrator’s memory crackles and sputters, we encounter grotesque archetypes: a resurrected Christ-like figure called the Dead Feller, a mysterious, moon-faced woman who may be an employment caseworker, and a strange, amorphous alien called the Calf. What happened out there, and who—or what—is telling the story? 

Drawing on the linguistic inventions of Twain and Faulkner, translator David M. Smith boldly reimagines the rural dialect of Leif Høghaug’s original, bringing it into a lush, inventive Appalachian English. The result is a voice that’s as haunted, broken, and unforgettable as its narrator. The Calf is a howl from the margins, a cracked hymn of language under pressure—conceived and written alongside the author''s Norwegian translation of Finnegans Wake, and unmistakably charged with that book’s spirit of dream logic, doubleness, and rapturous musicality.

• | Author: LEIF HØGHAUG, David M. Smith
• | Publisher: FUM D'ESTAMPA PRESS
• | Publication Date: Jan 01, 1900
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• | Binding: Paperback / softback
• | ISBN-13: 9781913744243
• | ISBN-10: 1913744248